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Marvelous Modern Masterpieces
arrestomomentum:

Artemisia Gentileschi - Self-Portrait as the Allegory of Painting (1630)

Only a female painter in the Italian Renaissance could actually identify with the Allegory of Painting itself.

arrestomomentum:

Artemisia Gentileschi - Self-Portrait as the Allegory of Painting (1630)

Only a female painter in the Italian Renaissance could actually identify with the Allegory of Painting itself.

6 months ago
6 notes
soyouthinkyoucansee:

Afterparty…
Retour du bal 1880
Alfred Roll  French painter , 1846 – 1919

soyouthinkyoucansee:

Afterparty…

Retour du bal 1880

Alfred Roll  French painter , 1846 – 1919

(via notsquared)

6 months ago
29 notes
unclegrimace:

Sagittarius
Artist: Mikalojus Ciurlionis

unclegrimace:

Sagittarius

Artist: Mikalojus Ciurlionis

(via yolk-of-the-sun)

7 months ago
113 notes
colourthysoul:

Edvard Munch - Kiss by the window (1892)

colourthysoul:

Edvard Munch - Kiss by the window (1892)

(via bendemolina)

8 months ago
46 notes
thorsteinulf:

Lucas van Uden - Landscape with Figures

Fine treatment of water and trees—perhaps the polar opposite of impressionist brushwork. 

thorsteinulf:

Lucas van Uden - Landscape with Figures

Fine treatment of water and trees—perhaps the polar opposite of impressionist brushwork. 

(via abstractimpressionism)

8 months ago
17 notes

War, Louis Gallait, 1872

War, Louis Gallait, 1872

(via 1indsey)

6 months ago
674 notes
fleurdulys:

Three Is a Crowd - Albert Wenzell

fleurdulys:

Three Is a Crowd - Albert Wenzell

(via notsquared)

6 months ago
119 notes
books0977:

Terpsichore, Muse of Dance (1739). Jean-Marc Nattier (French, 1685–1766). Oil on canvas. Fine Arts Museums of San Francisco.
In Greek mythology, Terpsichore (delight in dancing) was one of the nine Muses, ruling over dance and the dramatic chorus. She is usually depicted sitting down, holding a lyre.
Nattier became the painter of the artificial ladies of Louis XV’s court. He subsequently revived the genre of the allegorical portrait, in which a living person is depicted as a Greco-Roman goddess or other mythological figure.

books0977:

Terpsichore, Muse of Dance (1739). Jean-Marc Nattier (French, 1685–1766). Oil on canvas. Fine Arts Museums of San Francisco.

In Greek mythology, Terpsichore (delight in dancing) was one of the nine Muses, ruling over dance and the dramatic chorus. She is usually depicted sitting down, holding a lyre.

Nattier became the painter of the artificial ladies of Louis XV’s court. He subsequently revived the genre of the allegorical portrait, in which a living person is depicted as a Greco-Roman goddess or other mythological figure.

(via centuriespast)

7 months ago
74 notes

Portrait of the Postman Joseph Roulin (Detail), Vincent van Gogh, 1888

Clearly, Van Gogh must have felt that Postman Joseph Roulin’s hand best represents his entire being. By portraying just this one body part alone, Van Gogh redefines the term, “portrait”. 

Portrait of the Postman Joseph Roulin (Detail), Vincent van Gogh, 1888

Clearly, Van Gogh must have felt that Postman Joseph Roulin’s hand best represents his entire being. By portraying just this one body part alone, Van Gogh redefines the term, “portrait”. 

(Source: 1indsey)

8 months ago
35 notes