Ask me anything

Comments

About  

Marvelous Modern Masterpieces
bytaleorhistory:

John Duncan Fergusson (Scottish, 1873-1961),Dieppe, 14 July 1905: Night, 1905. Oil on canvas, 76.80 x 76.80 cm. Scottish Gallery of Modern Art, Edinburgh.

bytaleorhistory:

John Duncan Fergusson (Scottish, 1873-1961),Dieppe, 14 July 1905: Night, 1905. Oil on canvas, 76.80 x 76.80 cm. Scottish Gallery of Modern Art, Edinburgh.

(via caravaggista)

8 months ago
394 notes
artpedia:

Edouard Manet - The Escape of Rochefort (L’évasion de Rochefort), 1881. Oil on canvas 

artpedia:

Edouard ManetThe Escape of Rochefort (L’évasion de Rochefort), 1881. Oil on canvas 

(via abstractimpressionism)

8 months ago
148 notes
aleyma:

Claude Monet, Iris, 1922-26 (source).

aleyma:

Claude Monet, Iris, 1922-26 (source).

(via avidoatlion)

8 months ago
116 notes
capturing-the-light:

Landscape, Camille Pissarro, watercolor and charcoal on paper, laid down on cardboard

capturing-the-light:

Landscape, Camille Pissarro, watercolor and charcoal on paper, laid down on cardboard

(via abstractimpressionism)

9 months ago
21 notes
redesign-chehn:

Monet’s Rouen Cathedral.  When I first saw this, I thought, wow that cathedral looks so squishy……
1894.

Monet created over thirty paintings of the front façade of the Rouen Cathedral. Most are located in museums in France and Germany, but one, also from 1894 but not that which you see above, is on display at the Getty Museum in Los Angeles, where I saw it this weekend. I prefer this painting to the one I saw in person at the Getty because it is painted with a brighter color pallet, reflecting the more enjoyable time of day at which Monet painted it. 

redesign-chehn:

Monet’s Rouen Cathedral.  When I first saw this, I thought, wow that cathedral looks so squishy……

1894.

Monet created over thirty paintings of the front façade of the Rouen Cathedral. Most are located in museums in France and Germany, but one, also from 1894 but not that which you see above, is on display at the Getty Museum in Los Angeles, where I saw it this weekend. I prefer this painting to the one I saw in person at the Getty because it is painted with a brighter color pallet, reflecting the more enjoyable time of day at which Monet painted it. 

(via abstractimpressionism)

9 months ago
11 notes
wryer:

Claude Monet ‘Nympheas, Effet du Soir’ 1897

wryer:

Claude Monet ‘Nympheas, Effet du Soir’ 1897

8 months ago
102 notes
deadpaint:

Pierre-Auguste Renoir, A Fence in the Forest

Notice how little of this fabulous work is devoted to representing the fence. It appears as though what makes this fence worth portraying is the greenery that surrounds it. 

deadpaint:

Pierre-Auguste Renoir, A Fence in the Forest

Notice how little of this fabulous work is devoted to representing the fence. It appears as though what makes this fence worth portraying is the greenery that surrounds it. 

8 months ago
254 notes
fuckyeahimpressionism:

Claude Monet - Woman with a Parasol in the Garden in Argenteuil (1875)

fuckyeahimpressionism:

Claude Monet - Woman with a Parasol in the Garden in Argenteuil (1875)

9 months ago
83 notes
composition-improvisation:

Edgar Degas, The Tub, c. 1886

Severe lighting and the awkward angle at which the woman in this painting is rendered portray bathing, usually an activity of warmth and comfort, to one of discomfort and isolation. Naked and faced away from the viewer, the woman appears quite vulnerable. 

composition-improvisation:

Edgar Degas, The Tub, c. 1886

Severe lighting and the awkward angle at which the woman in this painting is rendered portray bathing, usually an activity of warmth and comfort, to one of discomfort and isolation. Naked and faced away from the viewer, the woman appears quite vulnerable. 

(Source: impartart)

9 months ago
45 notes